8 BROADWAY AND MUSICALS Which Witch Playbills Carrie Start Price USD 69.99 Current Price USD 69.99 Time Left - Bid Count 0 Buy It Now Price USD 120.00 Reserve Price - Start Time Sunday, October 05, 2008 End Time Sunday, October 12, 2008 Location San Fernando, CA See more about '8 BROADWAY AND MUSICALS Which Witch Playbills Carrie' Description This is a lot of 8 movies on VHS.  Most were previously viewed and SOME ARE RARE and not yet on DVD.    This is a collectors dream.  5 bonus print items, including a brochure for the cult musical CARRIE,  are now included in this action and are listed at the bottom.   Just added today:  Also, 5 different Broadway Playbills including Avenue Q The titles are: WHICH WITCH, (not in the picture, but included) recorded live at one of their performances in London.  This is very rare. EUBIE, The music of eubie blake, (memories of you), is basis for this fine musical. a collection of skits and dances galore. well worth looking at for the great dancing of the Hines brothers, Gregory and Maurice. SCRAMBLED FEET   very rare and pricey Scrambled Feet was an off-Broadway revue that fortunately was captured on film. It pokes fun at all aspects of theatre, including writer's block, auditions, critics, dinner theatre, back stage romances and infighting, improv, and child stars. An especially funny number is "Theatre-Party Ladies", in which Madeline Kahn and the remainder of the cast (three men) impersonate a ladies club attending a matinee. TAKING MY TURN Product DescriptionMusical - Off-Broadway Play - Music by Gary William Friedman and Lyrics by Will Holt. A filmed record of an off-Broadway musical, this tells the story of four friends and the problems they run into when they realize they are getting old. 1984 Critics Circle Award Nominee Actors: Margaret Whiting, Marni Nixon, Sheila Smith, Cissy Houston, Tiger Haynes       THAT'S SINGING 1. Everything's Coming Up Roses--Ethel Merman (Gypsy) 2. Quadrille--the American Dance Machine (Can-Can)  3. Get Some Cash for Your Trash--Nell Carter (Ain't Misbehaving)        4. You Could Drive a Person Crazy--Donna McKechnie, Pamela Myers, Susan Browning (Company)5. You Made Me Love You--Debbie Reynolds (Irene)   6. Try to Remember--Jerry Orbach (The Fantastics)   7. Shriner's Dance--Chita Rivera and the American Dance Machine (Bye Bye Birdie)8. Summer Loving--Barry Bostwick and Carol Demas (Grease)9. Sleeping Bee--Diahann Carroll (House of Flowers)10. Never Will I Marry--Anthony Perkins (Greenwillow)11. All for the Best--Stephen Nathan and David Haskell (Godspell)12. Mean to Me--Nell Carter (Ain't Misbehaving)13. I Believe in You--Robert Morse (How to Succeed in Business Without Really Trying)14. Could I Leave You--Alexis Smith (Follies)15. Charlie's Place--Donna McKechnie, Wayne Cilento, and the American Dance Machine (Over Here)16. Little One New York--Chita Rivera and the American Dance Machine (Tenderloin)17. Pretty Woman--Len Cariou (Sweeney Todd)18. Send in the Clowns--Glynis Johns and Len Cariou (A Little Night Music)19. Those Were the Good Old Days--Ray Walston (Damn Yankees)20. They Say It's Wonderful--Ethel Merman (Annie Get Your Gun)21. Lullaby of Broadway--Jerry Orbach and the entire company   TAKE ME OUT TO THE BALL GAME "From the moment you picked up that grounder and threw it to third, I knew it was love." Baseball and romance make a nifty double play in Take Me Out to the Ball Game, a bright bauble from the golden age of MGM musicals. The premise is a stretch: two members of a turn-of-the-century baseball team (Gene Kelly and Frank Sinatra) are vaudeville performers in the off-season. Their ballclub is inherited by Esther Williams, causing much consternation among the boys and anticipating the plot line of Major League by 40 years. Since swimming star Williams was always seen to best advantage dripping wet, the movie finds a way to get her into a hotel pool. Kelly, mugging mercilessly, executes an extended Irish solo dance (take that, Riverdance), and Sinatra, whose skinny frame is the source of many jokes in the script, is pursued by the irrepressible Betty Garrett and croons the ballad "The Right Girl for Me." None of this is remotely plausible, and the Comden-Green songs don't stand the test of time, but the film is buoyant--and the period costumes and dazzling Technicolor are eye-popping. This was a reunion for Sinatra and Kelly after Anchors Aweigh (1945), and they would quickly team up again in the superior On the Town (1949), alongside Take Me Out costars Garrett and looming Jules Munshin. As in those films, Sinatra and Kelly dancing side-by- side are a delightful spectacle: Kelly effortlessly hitting his marks while Sinatra gamely tries to keep up. Take Me Out to the Ball Game was the last film directed by the legendary director-choreographer Busby Berkeley, who gets just one shot at a huge production number, a pseudo-Rodgers and Hammerstein tune, "Strictly U.S.A." Peanuts and Cracker Jack not included.   THE TALL GUY Falling in love can be glorious, or poignant, or heartwarming ... but for most of us, it's mostly just absurd. And The Tall Guy captures that hysterical, head-over-heels surrealism perfectly. Jeff Goldblum plays the neurotic, allergy-ridden Dexter King, a stage actor stuck in a dead-end job in an interminable run of London's tackiest comic review. He's the "tall guy," the eternal butt of slapstick gags delivered by the star performer, a brilliantly obnoxious Rowan Atkinson. Cupid's arrow strikes between sneezes when hay fever propels Dexter to the doctor's office--and he catches his first glance of Nurse Kate Lemmon (a pre-Shakespeare Emma Thompson). Battling his deep-seated fear of needles, Dexter invents excuses to get shots just to get close to her. After much pain (and much prodding from Dexter's oddly maternal nymphomaniac landlady), their courtship takes off. (Kate's practical dating philosophy--have sex first, so you know if all those expensive dinners will actually be worth it--leads to one of the most comically destructive love scenes ever filmed.) Dexter, giddy with new love, gets fired--and lands the title role in Elephant!, a musical version of The Elephant Man (one heartwarming hit: "Somewhere in Heaven, There's an Angel with Big Ears"). But his curvaceous leading lady develops a champagne-fueled passion for pachyderms ... and Dexter's in yet another sticky situation.   ROYAL WEDDING  Fred Astaire dances on the ceiling in this 1951 Alan Jay Lerner musical for MGM, directed by Stanley Donen (Singin' in the Rain). The appealing story finds Astaire as part of a brother-and-sister act (along with Jane Powell) that travels to London at the time of Queen Elizabeth II's wedding. Astaire and Powell each find romances that threaten to break up the act, but that's mostly fun window dressing in a movie better known for some truly creative sequences made vivid by Donen, including Astaire's famous dance with a hat rack and his duet with Powell, "How Could You Believe Me When I Said I Loved You (When You Know I've Been a Liar All My Life)?" Plus 4 more items: A copy of THE SONDHEIM REVIEW A program from TWO'S COMPANY celebrating the songs of Stephen Schwartz and Alan Menken which showcased Alice Ripley, Bruce Vilanch and dozens more The Hollywood Bowl program featuring Sondheims 75th birthday concert The Hollywood Bowl program featuring CAMELOT with Jeremy Irons, Melissa Errico and James Barbour conducted by Mauceri.   Place a Bid!